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Tag: Progressive Death Metal

The Reticent – please

I cannot fault this latest release in any way. Five years has been a long time to wait for it but it’s well worth that wait. I and many others now need to wait with bated breath for whatever Chris comes up with next. It’s guaranteed to be excellent; his track record ensures that.

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Impureza – Alcázares

The straightforward death metal parts sound much like many other bands. The flamenco sections are delightful, but the best bits come when they merge the two styles in what can only be described as Death Flamenco. They prefer to call it Hispanic Metal, and if that’s not progressive enough, I don’t know what is.

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Allegaeon – The Ossuary Lens

Like all the best albums The Ossuary Lens gets better with every play because there is so much going on. If, and I hope this is the case, an eighth album is planned then bring it on I say.

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Jinjer – Duél

I’ve been thinking of them as a metalcore band, but I think that label might’ve become obsolete by the time they made “Macro”.

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Greylotus – Motherwort

Their sound is exploring the grey area between modern technical death metal and deathcore, and they’re also throwing in hints of djent and black metal, just to make the concoction of extremity as wild as it gets.

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Piah Mater – Under the Shadow of a Foreign Sun

Fans of prog metal of the 70s-influenced flavour, complemented with a guttural edge, ornate instrumentation and a south American touch, should look no further than Piah Mater’s latest release “Under the Shadow of a Foreign Sun”!

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Persefone – Lingua Ignota: Part I

They were always kings of odd time signatures, disrupted rhythmic songwriting and extreme technicality, so to see them scale down on these aspects was not something I was ready for. I was also afraid they’d just dilute their creativity to please a wider audience. But Persefone is as strong as it ever was, if not even stronger.

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