For this year’s End of the Year episode, we assembled an illustrious round again: Karl Westerlund, Robert Stenvall & Christian Berglönn (An Abstract Illusion), Andy Schmidt (Disillusion), Colin MacAndrew (Ashbreather) & Rioghan Darcy.
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I feel like the band stayed true to the weird, ruthless concoction of sonic witchcraft and mad science that made their debut so savage, but they decided to take their listener’s risk of heart failure into account on this one.
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“Irkalla” follows the band’s unique brand of unstable, constantly shifting progressive tech-death, but it seems updated both in virtuosity and composition from its predecessor.
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While I still struggle to take most of it seriously, I absolutely love hearing it. If you want everything you believe about the world to be proven wrong, be sure to spin “Dawnfall”.
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This is one of the most impressive, gargantuan and multi-faceted prog death metal releases I’ve heard in recent years.
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This album is probably what death metal would sound like if it was composed by an A.I. with a keen understanding of feelings and dopamine triggers.
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Founding member, keyboardist and clean vocalist Miguel “Moe” Espinosa talks about the songwriting process, lyrical themes and guest musicians on Persefone’s new opus “metanoia”.
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Persefone are ready to get to the next level. Hopefully “metanoia” will give them a much deserved breakthrough to a bigger audience.
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In the newest episode of the Progtalks you can learn how to pronounce Wilderun properly –...
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The Aethereus soundscape is designed to massacre the listener’s eardrums in the most engaging way possible!
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I would not be surprised if “Gloire éternelle” would go down in history as a timeless symbol of the genre and a testament for the highest reaches of human potential.
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When you put together the technique, complexity, epic melodies and infernal oppressive aura, it sounds like “Vile Genesis” might just be 2021’s most evil album.
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“A Valediction” is a total nerd-fest for the tech maniac but also engaging enough to keep the average metal listener interested.
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This EP surely impressed me. It is only 5-tracks but with these songs they managed to create something unique, creative and genre-bending enough to stand-out even among The Artisan Era’s roster.
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Canadian progressive death metal trio Messora present their epic new single ‘Forever as I Beg’ exclusively here on The Progspace one day ahead of its general digital release.
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The outpour of extremity, technical proficiency and unexpected rhythmic shifts that they bring forth on this release is unlike anything they’ve ever done.
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While their first release shined more on the uplifting and triumphant side, this one is a theatrical descent into the macabre and a torturous struggle for liberation.
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Calling from Montreal, Canada, prog/death/sludge trio of Ashbreather are the guests of this new episode of the Progtalks, discussing influences, cover artworks and everything about their new EP “Ow, My Eye!”.
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The Progtalks is guested by Adam Biggs from Rivers of Nihil. Join us for a journey through the history of these progressive tech-death luminaries, as well as a deep dive into the philosophy and music on their new monumental release “The Work”.
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Vietnamese traditional progressive metal, French djent, progressive/technical death-metal and cinematic post-rock, American 70’s inspired prog-rock, a lesser-known true gem of British early prog, some Swedish doomy prog and much more in this month’s Progfiles Archives.
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We’re a group of Prog-lovers who started a journey to share with you our thoughts about albums, concerts, tours and festivals, the photo galleries of the Prog concerts we visit, as well interviews with upcoming or established musicians or prog-related people. Follow our Facebook page for frequent updates and news around the Progniverse.
