The Pineapple Thief in Ghent (B) – Captivating Melancholy and Subtle Power (25.03.2025)

Fans of introspective melodic prog rock with a modern twist were treated to a unique musical experience last night at HA Concerts in Ghent, where the British band The Pineapple Thief delivered a mesmerizing performance. With an atmospheric blend of melancholy, dynamics and technical finesse, the band effortlessly guided the audience through their extensive repertoire, with a special focus on their latest album. Led by frontman Bruce Soord the band presented a set full of layered melodies and subtle intensity. Fragile beauty and powerful climaxes intertwined, making for an unforgettable evening. My connection with The Pineapple Thief goes back quite some time. I first saw them in 2007 at the Symforce Festival in Tilburg, when they were still a relatively unknown name. Even then, it was clear they were destined for great things and this evening only reaffirmed that belief. The Pineapple Thief has grown into a cornerstone of modern progressive rock and now ranks among my top five most-seen bands. Expectations were high, especially with the integration of their latest album It Leads to This into the setlist. From the opening track The Frost, it was evident that the sound at HA Concerts was expertly tuned. The band delivered a well-balanced mix of old and new material, with the latest tracks seamlessly blending into their earlier work. The Frost, In Exile and Demons provided a powerful start, while Put It Right and Our Mire proved just how well the new songs hold up in a live setting. Steve Kitch’s keyboard arrangements added depth  while Gavin Harrison’s dynamic drumming elevated the performance to another level. Jon Sykes’ bass and vocals were subtle yet essential  and Beren Matthews provided strong support with his guitar work. The acoustic interlude, featuring intimate versions of Threatening War, Barely Breathing  and Snowdrops  offered a moment of tranquility in the set. The band then effortlessly shifted back to their more dynamic side. Rubicon roared like a sonic whirlwind, perfectly balancing intensity and fragility. The main set concluded with gripping performances of To Forget and It Leads to This before Give It Back wrapped things up on an energetic note. Of course, an encore was inevitable. The band returned for three powerful final songs: Fend for Yourself, Alone at Sea  and the epic The Final Thing on My Mind.  Once again, The Pineapple Thief proved that progressive rock doesn’t have to rely on lengthy  sprawling compositions. Their compact, layered songs are masterpieces of restraint and emotion. This concert reinforced that while Bruce Soord may be the face of the band, it is the collective effort that lifts them to great heights.