Greylotus – Motherwort
Their sound is exploring the grey area between modern technical death metal and deathcore, and they’re also throwing in hints of djent and black metal, just to make the concoction of extremity as wild as it gets.
Read MoreAuthor: Andrei Dan
Frozen Crown – War Hearts
Power metal isn’t exactly my go-to genre. But something clicked for me when I was watching the video to ‘War Hearts’ and all of a sudden, instead of coming across as “power metal”, I felt like I was just witnessing some brilliant songwriting.
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Vola – Friend of a Phantom
Anyone who’s familiar with the band’s previous work should know what to expect. They’re loyal to their sound and not exactly reinventing themselves with this album.
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Gaerea – Coma
When done right, I feel like black metal can evoke some abstract and unspecified emotions of a primal nature, and that’s probably the strongest takeaway from Gaerea’s latest album!
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Mother of Millions – Magna Mater
“Magna Mater” is a very immersive and atmospheric album, but that does not mean it’s not heavy. Rather, all the heavy riff elements have a different purpose than you’d expect.
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Charlotte Wessels – The Obsession
I wouldn’t be surprised to find out that Charlotte has like 3 masters and a PhD in the aesthetics of emotional vulnerability.
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Atomic Guava – Beach Episode
What bands like Atomic Guava have taught me is that a hook is best served with technical complexities on the side.
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Wintersun – Time II
The music becomes a vehicle for imaginative escapism, taking the listener into a both sensory and symbolic trance, which, despite its otherworldly aesthetics, becomes brutally and viscerally real by the time the album is over.
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Devin Townsend – PowerNerd
I don’t think anyone’s expecting by now that Devin will ever put out a “bad” album.
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Haliphron – Anatomy of Darkness
If you want your mind blown by something groundbreaking, there’s not much for you here, but if you just want to jam some gripping and well-executed death metal, then look no further. Haliphron has you covered.
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Ankor – Shoganai
Their songwriting, emotional delivery and technical abilities have not only improved, but also started coming together in a more coherent and meaningful way.
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Disembodied Tyrant – The Tower: Part One
They score big on originality, production, shock factor and technical skill. But I feel this release suffers a lot from the disjointed songwriting and the excessive use of sound effects.
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Ever Forthright – Techinflux
Despite all the complexity, the composition is very engaging and gets under your skin, making you want to move along to the grooves.
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Entheos – An End to Everything
Could this be the most emotionally relevant technical death metal release I’ve heard to date? I’m not sure, but it’s certainly close to the top.
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Fleshgod Apocalypse – Opera
I know technical death metal is not for everyone, but beyond the death metal element, there’s a dimension of theater, poetry and drama, and a message of power and standing against all odds, that I think will inspire almost anyone.
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Simone Simons – Vermillion
“Vermillion” is an unexpected surprise, and a very welcome addition to the endlessly growing culture of symphonic and progressive metal that the Dutch are so good at.
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Forever in Transit – A Coming to Terms
“A Coming to Terms” is sitting neatly between classic and modern progressive metal, with a sound that could be categorized as either.
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Monochromatic Black – Predacious
It feels like they stripped down a lot of the sophisticated fluff, and almost voluntarily chose to make this EP a bit more messy and muscular.
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Seven Spires – A Fortress Called Home
It has a unique signature sound that fits the entire album, despite songs varying from extreme metal monsters to groovy bangers, energetic symphonic or power metal tunes, ballads and even some doom metal elements.
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Meden Agan – My Name is Katherine
If you too are a fan of dramatic storytelling, blisteringly fast drums, epic orchestrations, swirling guitar leads and multi-faceted vocals, then I suggest you look no further.
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