With AI advancing at an exponential rate, Revocation’s Dave Davidson warns of a future where artificial intelligence might see humanity as a threat – and metal is the perfect medium to explore the chaos.
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From rebellious high school jokes to a powerful debut album, Unhallowed Deliverance blends technical death metal with raw storytelling, unflinching themes, and an unstoppable passion for the genre.
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The Progspace sits with Entheos’s Chaney Crabb on their latest EP “An End to Everything”, their origins as a band and her roots as an artist.
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On the eve of his debut solo album “Road to I” release, Obsidian Tide’s Oz Avneya talks about his musical origins and destinations.
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Fans of prog metal of the 70s-influenced flavour, complemented with a guttural edge, ornate instrumentation and a south American touch, should look no further than Piah Mater’s latest release “Under the Shadow of a Foreign Sun”!
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Always pushing boundaries of their eclectic genre fusion, The Hirsch Effekt‘s founding members...
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Hailing out of Baltimore, USA, Progressive Metal outfit Exist is looking back at a track record of...
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Job for a Cowboy’s twisted hallucinogenic tale from 2014’s “Sun Eater” finally continues with “Moon Healer”.
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The Progspace Editors List 2023. The Top 5 from our editors plus a selection of Honourable Mentions. Here’s the second part of the Top 5 lists, with Alex, Bas and Katha presenting a wide range of releases as their favourites of 2023
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The Progspace got to sit down with Rivers of Nihil’s vocalist and bassist Adam Biggs to discuss the latest developments in the band.
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With the solo album “Tulpa” coming out his latest endeavor, bassist Linus Klausenitzer (Alkaloid, Ex-Obscura, Obsidious) talks about his musical upbringing, past and present bands, and life as a working bassist.
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Dive into a spectacular work of cinematic progressive metal, highly recommended for listeners with an appreciation for strong dynamics and a sufficient attention span.
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The Progspace got to sit down with Archspire’s guitar wizard Dean Lamb to talk about the band’s past, present, and future.
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Cynic’s 1993 debut “Focus” was nothing short of tantamount to the collective development of modern progressive metal. In celebration of its 30th anniversary, mastermind Paul Masvidal revisited his own history book to give the cherished album a rejuvenation, with the self-released “ReFocus”.
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Gorod unleashes yet another impressive display of technical prowess fused with elaborate melodic undercurrents. Far from a mere metal album, the work is stylistically diverse and serves up several stylistic surprises for a thriller of a listening experience.
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If we believe Periphery, Djent is not a genre – and as they basically coined the term, they should know. However, if it was a genre, Canada’s Dissentient have taken the playbook and nailed it. Fans of the genre are well advised to look past the smaller-scale resume of this band and give the album a try.
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Fans of the modern fusion of death metal and prog will be thrilled to go through the journey presented by Entheos on Time Will Take Us All.
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We’re a group of Prog-lovers who started a journey to share with you our thoughts about albums, concerts, tours and festivals, the photo galleries of the Prog concerts we visit, as well interviews with upcoming or established musicians or prog-related people. Follow our Facebook page for frequent updates and news around the Progniverse.
