Moron Police’s Pachinko takes listeners on a surreal, emotionally charged journey, blending grief, absurdity, and hope with their signature mix of progressive rock, metal, and unexpected melodic twists. The album spins from introspective melancholy to playful chaos, leaving a lasting impression of skillful, unpredictable brilliance.
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I cannot fault this latest release in any way. Five years has been a long time to wait for it but it’s well worth that wait. I and many others now need to wait with bated breath for whatever Chris comes up with next. It’s guaranteed to be excellent; his track record ensures that.
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On paper, Psychonaut sounds like a perfect band for me: Belgian post metal (which often means...
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There’s always a list of things to get right in order to make good music, to have a complete “product”. But beyond all those, Scardust’s music is an experience. And just like any real life experience, it’s hard to contain it within boundaries.
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This is the sort of album where one play though is not enough, each subsequent listen reveals something else. You can head bang to it, brandish an air guitar or just lie down in a darkened room and listen.
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Three years ago, I was thoroughly impressed by “The Machine is burning and now everyone knows it could happen again”, so I was wondering, how are they going to surpass their strong debut. But to my pleasant surprise, they did! The machine is still burning and it brought us to the Age of Ephemerality.
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Here’s hoping that it’s not another five years before we hear from these guys again. My album of the year shortlist is getting longer, and this is another band on my watch list. Their material is quite often near the soft end of my taste in music, but talent like this cannot be ignored
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This is an automatic inclusion into my album of the year short list. It’s very easy to get into this material and subsequent listens doesn’t diminish the enjoyment at all.
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“With Legacy, Ihlo have taken a bold step into the upper echelons of modern progressive metal. Legacy is not just an album, but an emotional journey through bleak atmospheres, soaring melodies and unsettlingly relevant themes of control, consumerism and decay. Echoes of well known bands may resonate, but Ihlo’s voice is unmistakably their own: dramatic, immersive and deeply human.”
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entirely instrumental. Taking up almost 20% of the album it is the most varied and pleasing track for me.
This is a band I haven’t come across before, but I’m glad I have now. I’m going to investigate their other albums because I feel that I might have missed out. It will be interesting to see what comes next because they have a penchant for telling stories in detail both lyrically and musically.
These nine tracks spanning 64 minutes provide time well spent. I’m glad this band is still going and producing quality material. I hope they have plans for a third album, because that would be very welcome indeed.
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The straightforward death metal parts sound much like many other bands. The flamenco sections are delightful, but the best bits come when they merge the two styles in what can only be described as Death Flamenco. They prefer to call it Hispanic Metal, and if that’s not progressive enough, I don’t know what is.
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Rivers of Nihil’s self-titled album feels like an evolution of the band’s sound, composed masterfully to create the layers of emotions: from despair and anger to hope, without sounding too technical or “deathy”.
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What makes ‘Fates’ brilliant to me, is the subtle way of informing the listener about what they are hearing, and the coherence of lyrics, compositional choices and aesthetics.
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This band have an ambition, which is to push their brand of progressive rock/metal into the big leagues. I think they have what it takes to achieve that, although there is some serious competition out there. Hopefully this album will get them a little closer to their aspirations. Another band to watch out for, me thinks. Could that be in the form of ‘Autofiction Pt. 2’ perhaps?
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These three tracks are a great introduction to this talented pair but after a few plays it’s not enough. I find myself wanting more, and hopefully it won’t be too long before more arrives.
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This band has been around for over 20 years and there have been multiple band members come and go. So, with just 3 albums and 1 EP during that time, I’m not expecting anything else from them anytime soon. This latest album will have to do for now, and that’s just fine by me.
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Dawn of Ouroboros is an outright mythical sensory experience.
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I have no doubt that this album will be popular given enough exposure/publicity. Which of course is what we at the Progspace strive to do, especially for these relatively unknown bands. There is plenty of creativity, resulting in a mixture of styles from progressive metal to funk and much more, with a generous sprinkle of modern metal.
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“The Great Filters” is a great exploration of a question that has been inspiring astronomers, physicians, philosophers and conspiracy theorists alike. The album dives well into the matter, both lyrically and sonically.
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Like all the best albums The Ossuary Lens gets better with every play because there is so much going on. If, and I hope this is the case, an eighth album is planned then bring it on I say.
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The combination of Finnish lyrics, seamless blending of aggression and melody, and a beautiful approach to vocal layering, makes Vermilia’s music a constant clash of contrasting aesthetics that seems to reflect nature itself.
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“Timeless Reverie” feels bold, daring and willing to venture into unsafe, unexplored creative territory.
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I’ve been thinking of them as a metalcore band, but I think that label might’ve become obsolete by the time they made “Macro”.
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This EP isn’t anything I haven’t heard before. But it was mostly intended to be a compact dose of energy with some catchy hooks and grooves. And that mission was fully achieved.
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There is no denying that there is a lot of talent on show here. Frogg obviously have a desire to produce something unusual and it will be interesting to see where they go from here.
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This is an album that showcases The Five Hundred’s willingness to push boundaries and explore new musical territories. I’m sure they must be very happy with the results of their hard work. Hopefully this will inspire them to evolve even further and I for one can’t wait to see where this exciting band goes next.
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Distant Dream isn’t trying to blow minds, break records or reinvent the wheel in any way. They’re more in the business of providing pleasant emotional value and superb sound quality, for a fully immersive listening experience.
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This man never fails to impress with his musicality. Whether it be extreme or melodic and everything in-between, it is always accomplished and professional. I am sure some of you are hoping for a resurgence of Spires like I am. For now though, whatever he chooses to compose is just fine by me, because the quality is guaranteed. Who knows what will be next? Whatever it is, it’s bound to be worth waiting for.
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Hopefully there will be much more to come from Dream Theater. If this album is representative of their future musical direction, then count me in for the ride.
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