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Stabbing Westward – Chasing Ghosts

Stabbing Westward – Chasing Ghosts

Stabbing Westward - Chasing Ghosts

  • Rating: 9/10
  • Release Date: 18 March, 2022
  • Label: COP International
  • Musicians:
    Christopher Hall – Lead Vocals, Guitars, Keyboards, Programming
    Walter Flakus – Keyboards, Programming, Backing Vocals
    Carlton Bost – Bass Guitar
    Bobby Amaro – Drums
  • Favorite songs:
    I Am Nothing, Cold, Control Z, Ghost
  • For Fans of:
    Nine Inch Nails, Killing Joke, Saint Asonia

When industrial rock was big back in the ‘90s, Stabbing Westward was one of the most interesting and successful bands in the genre. Unfortunately, arguments between the band members and their new management, wanting them to take on a more commercial sound, led to an unsuccessful self-titled album in 2001 and eventually the demise of the band. Founding members Christopher Hall and Walter Flakus moved on to different projects and logic dictates that we would never hear from Stabbing Westward again with the popularity of the genre fading as well.

Flash forward 21 years and my eyes are drawn to an album with beautiful artwork. Much to my surprise, it is Stabbing Westward’s new album, “Chasing Ghosts”. Backed by a brand new rhythm section, Hall and Flakus have rekindled the flame, making a bold move to reunite in particularly challenging times for musicians. Are we in for a quick money grab or is Stabbing Westward ready to reclaim its position as one of the leading industrial rock artists?

Stabbing Westward – I Am Nothing (click here if the video doesn’t play)

Directly from opener ‘I Am Nothing’, it is clear that fans of the band don’t need to worry: Stabbing Westward is in great shape and has managed to unite its trademark sound with a contemporary flair. On top of a hard rocking foundation with subtle electronics, Christopher Hall’s vocals are impressive as always, delivering the lyrics with heavy emotional impact and a raw edge. “Chasing Ghosts” is not a cheerful album, dealing with themes like self-doubt, loss and isolation, as displayed in songs like ‘Damaged Goods’, ‘Push’ and ‘Ghost’. Fortunately, the band is not overdoing it and keeps away from pushing the listener into a major depression, but the lyrical concept is quite dark and introspective.

Musically, the band varies between Nine Inch Nails influenced industrial rock, alternative metal reminiscent of bands like Saint Asonia and a strong new wave influence with hints of Killing Joke and Tears for Tears. All these influences have been carefully blended into a coherent album full of highlights, songs with head and tail that get stuck in your head without any intention of leaving. Songs like ‘Cold’ and ‘Control Z’ make it hard to sit still and the mix of new wave and stomping riffs makes you want to torture your neighbours by cranking up the volume. Then again, they might as well enjoy it, but you might still succeed by singing along with ‘Ghost’ or ‘Wasteland’.

Stabbing Westward – Ghost (click here if the video doesn’t play)

To summarize, Stabbing Westward has made a glorious return to form with “Chasing Ghosts”. The album contains some fantastic songs with a modern sound and a nostalgic vibe to bring back the good old days in contemporary fashion. My only point of criticism is about the ballads: ‘Push’ and ‘The End’ could have been made shorter, while ‘Crawl’ is a bit cringe-worthy. However, these small flaws are easily compensated by the quality of the rest of the album, which is downright brilliant. “Chasing Ghosts” will be a strong contender for my album of the year and I take my hat off for this impressive comeback by Stabbing Westward. Welcome back!

Track Listing:

  1. I Am Nothing
  2. Damaged Goods
  3. Cold
  4. Push
  5. Wasteland
  6. Control Z
  7. Crawl
  8. Dead and Gone
  9. Ghost
  10. The End

About the Author


Co-Founder of The Progspace - Dario discovered the world of Prog upon hearing "Shine on you crazy diamond" for the first time at the tender age of 12 around the turn of the millennium. Coming from a musical family and brought up with classical music, this seemed to be the logical next step. Attended the school of from 2002, delving into both directions: catching up with the history of already more than 30 years of progressive music as well as always staying up to date with the newest prog sounds. He loves meeting like-minded people and enjoying live music at a concert somewhere in Europe.

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