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Lesoir – Latitude

Lesoir – Latitude

Lesoir - Latitude

  • Rating: 7/10
  • Release Date: 17 November, 2017
  • Label: Gentle Art of Music
  • Musicians:
    Maartje Meessen - vocals, flute, piano Ingo Dassen - guitars Eleen Bartholomeus - vocals, guitars, keyboards, percussions Ingo Jetten - bass Bob van Heumen - drums

Dutch alternative prog rockers from Lesoir released their fourth album “Latitude” last November and, remembering a solid performance of them opening the prestigious Night of the Prog Festival in 2015, I was very curious as to how they actually sound on record. And I can tell you that much from the start: Lesoir are actually onto something with a fresh and unique approach, crafting their own, at times quite cinematic vision of alternative prog.

‘Modern Goddess’ starts off things softly with a piano intro and slow build up. The epic middle part is dominated by a slow but huge beat, returning towards the end with some added strings before resolving back to the piano theme from the beginning. A decent start, that is soon stomped away by ‘In the Game’, for the most part dominated by a marching rhythm, almost gang-like unison vocals. More unusual string arrangements and flutes save it from being all too monotonous before a beautifully melodic bass line is preparing the epic ending. While I really enjoy the instrumental part of the music, I have to say at this point already that the weakest point in the whole picture seem to be the vocals. Handled by the two ladies of the band, Maartje Meessen and Eleen Bartholomeus, they are in no way bad or out of tune, I am just not a big fan of this particular style, that is almost half spoken at times.



‘Icon’ is even worse on that part, though the musical contrast between simplicity and full on rocking while basically keeping the same beat works incredibly well. Still the weakest song for me due to the vocal style.

The following songs work perfectly as kind of reconciliation though. ‘In Their Eyes’ with its slow beat and tasty bass groove, the sombre melancholy of ‘Gone and Forgotten’, reminding me of “…laid to rest”-era Frequency Drift with its odd rhythm and big strings ending. ‘Eden’s Garden’ is the first song to start with the full band volume before going back a notch to a little bit of nothing soon. The patience is rewarded though with a monster ending riff.

Ingo Jetten‘s groovy bass is the driving force in songs like ‘Zeroes and Ones’, ‘Cheap Trade’ (Faith no More!) and ‘Faith Is’ and the latter is one more testament to their (positive) weakness for huge finales. The trophy for best song is taken home by ‘Kissed by Sunlight’ though, exploding in a Katatonia-like riff after a slow start. Rounded out by a beautiful chorus in ‘Comforting Rain’, the trippy, heavy groove of the instrumental title track ‘Latitude’ and the short, soothing closing lullaby ‘Cradle Song’, Lesoir crafted quite the unusual, unique album with “Latitude”. With a few optimizations here and there I can easily see them sitting on the top of the alternative prog throne within a few albums.


  1. Modern Goddess
  2. In the Game
  3. Icon
  4. In Their Eyes
  5. Gone and Forgotten
  6. Eden’s Garden
  7. Zeroes and Ones
  8. Kissed by Sunlight
  9. Cheap Trade
  10. Comforting Rain
  11. Latitude
  12. Faith Is
  13. Cradle Song

About the Author


Co-Founder of The Progspace - Dario discovered the world of Prog upon hearing "Shine on you crazy diamond" for the first time at the tender age of 12 around the turn of the millennium. Coming from a musical family and brought up with classical music, this seemed to be the logical next step. Attended the school of from 2002, delving into both directions: catching up with the history of already more than 30 years of progressive music as well as always staying up to date with the newest prog sounds. He loves meeting like-minded people and enjoying live music at a concert somewhere in Europe.

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