Structural’s sophomore effort wastes no time and takes no prisoners. It is a relentless display of punchy and creative death metal with just enough variety to turn their craft into a maelstrom of sophisticated badassery!
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Arkona remain unmatched in their craft of the dark arts, and their latest offering is a true feast of misanthropic majesty.
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The album sounds like a ritual that hooks you and then engulfs you entirely as if it taps into something primal and fundamental to life.
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‘Start From Nothing’ is a striking and engaging record, and especially for a debut, I find it truly remarkable.
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With “Woven into Ashes” we see Vintersea reaching for the stars in full-blown epicness.
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Flub continues to deliver high-quality melodic tech-death with a sound unique enough to avoid becoming a cliché.
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Demon King’s debut was an instant dose of satisfaction for me. And after sitting through a couple of streams of “Vesania”, the only thought process that I can expect went behind this one is “Let’s do it again… but MORE”.
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Despite the full release being only 17 minutes in length, it is a well put together work of art that can easily sink you into its atmosphere and make all your worries drain away.
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This album manages to build some massive momentum and tons of energy as well as compositional and expressive variety!
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This is the most extreme album that Chaos Over Cosmos has ever released.
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As a passionate concert goer and a fan of the extreme arts, this evening was one I couldn’t miss. The legendary tech-death group Obscura recently had a tour through Europe with support acts Disillusion and Persefone, the latter being a beloved favourite of mine. It is a tour that had been announced before the pandemic only to be repeatedly postponed until it finally happened. During this time both frustration and anticipation were left to boil, so when the riffs finally unleashed, it was catharsis time.
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The creative effort, challenging topic and gargantuan scale of the delivery can only secure a place for “Woe” as one of the strongest contenders for the 2022 album of the year.
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As a whole, “The Endless” can best be defined as compelling, hypnotic and cathartic.
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I feel like the band stayed true to the weird, ruthless concoction of sonic witchcraft and mad science that made their debut so savage, but they decided to take their listener’s risk of heart failure into account on this one.
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At the end of the album, it feels like you ran a marathon, been transported through many places and even different eras, as if you were on a proper adventure, and you’re left with a beautiful sense of finality.
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“Irkalla” follows the band’s unique brand of unstable, constantly shifting progressive tech-death, but it seems updated both in virtuosity and composition from its predecessor.
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While it is probably not the most innovative or surprising work I’ve heard, it is authentic, exceptionally well produced, and delivered by a tremendously talented group of musicians who really knew how to come together in their craft.
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While I still struggle to take most of it seriously, I absolutely love hearing it. If you want everything you believe about the world to be proven wrong, be sure to spin “Dawnfall”.
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This is one of the most impressive, gargantuan and multi-faceted prog death metal releases I’ve heard in recent years.
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Despite it being a heavy, technical and nerdy piece of music, the melodies evoke a lot of soul and create a mood that is very refreshing and relaxing but also energizing at once.
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